Music

I love Cursive. And The Good Life. And Tim Kasher’s solo stuff. Do I know why he needs...

When Modest Mouse frontman Isaac Brock agrees to a chat, you know it’s not going to be a...

Confession time: I’ve never been a Paramore fan. Not because they weren’t good — I always thought they...

Ever since the Reading Festival lineup dropped last year — with multiple of my favourite artists slapped all...

Restricted view? Seems to be a pretty perfect view to me. The other night was pure magic. Two...

Thonk thonk thonk, is this thing on? I’m Walt. I have been a dancer and photographer for years,...

Hayden Homes Amphitheater doesn’t screw around when it comes to safety. With a thunderstorm rolling in like the...

When I first heard the news of the 30th anniversary reissue of No Need to Argue, my reaction...

A Steady, Satisfying Return for Marvel’s First Family Matt Shakman’s reboot doesn’t break new ground, but delivers a...

I first discovered The Halluci Nation while working as a PR nerd with the Yuhaaviatam Nation of San...

Somewhere between the last beer run and the final page of The Grapes of Wrath, there’s a bar...

When I reviewed Songs of a Lost World, I wrote that it felt more like a series of...

WOW Hall might be the most Eugene venue of all time—and I mean that in the best way....

Let’s get this out of the way: Thunderbird Café was an amazing introduction to the city of Pittsburgh....

Look, sometimes life gets busy, and I end up with a backlog of albums to review. When times...

Windser’s self-titled debut is an emotional contradiction. It’s an album that somehow makes themes like abandonment and hope...